Saturday, 2 May 2015

Final Evaluation for Great Expectations & A Dark Love

Project Evaluations

Great Expectations

Looking back at when we where first assigned the brief of ‘Make-up in Motion’ it was a great chance to try and show our skills, of in-depth research, how we can achieve continuity looks and the use of different mediums.

When starting the project, I wanted to make sure that I did thorough research into the time period we where looking at, to help guide me to my final piece. I feel that my ideas and work has stayed at a steady pace and haven’t gone on a different tangent. I new what I was wanting to achieve and how to get their. I think this has helped me keep up to date, and believe in the ideas I had for each of the looks.

Looking back at the research material I have found, used and been influenced by, has been ample, I used what I thought was necessary to get to my goal. Charles dickens has been the main influencer through this project; his descriptive writing of each character we where assigned to create, helped me in the way I perceived how they would look. Without this I think it may have been more difficult for me.

My skills have developed throughout this term, especially within my hair designs and techniques. I am really proud of my Estella look, it took a lot of trial and error to achieve and lots of research.

Overall, if I where to do this project again I would be more careful in the continuity of hair, I was disappointed with the final outcome as they didn’t quite match up, however, I feel that my work was good and my skills and eye has become sharper to see what it to be corrected and made to look better.

A Love of the Dark; Claudia & Quentin

The theme for the second part of this project was to be creative in the way of adapting two ‘premade’ characters into a different setting and creating their looks from the influence of a TV series.

This was a challenge for me; I did get quite stuck in how I would place them in my chosen series and how they would look and change to the new setting. The development of my ideas has been a time consuming, but once we had, had our presentations, I felt more confident in my ideas, as I had researched more into the chosen series, key words and looks I could adapt.

My work has changed throughout the project due to me not understanding it straight away, but with determination and research into different looks and ideas has helped me get to the conclusion.

When looking at my main inspiration, it’s mostly consisted of horror films, the chosen TV series and found images from other artists. I have combined all that has helped me, and what we have been taught in our lessons to achieve my final looks.


Overall, I think that even after all the stress at the beginning, my work has come through and shows the skills taught and how I have created a new look with the information given and found. I am really proud of the outcomes and how my blog portrays the knowledge I have gained throughout.

Thursday, 30 April 2015

Final Photoshoot



When it came to shooting my Claudia I had a bit of trouble with the hair, I was trying to make it perfect then made it messy. In the end it all came together and the look was really good. I think if I where to have to opportunity to reshoot the look again I would make the eye makeup I bit heavier and make it look like she hadn't slept with bigger bags under her eyes. 

I love the contrast between the dress and her messy makeup and hair, it shows the clear line of perfection and dismay that is going through her mind. 

When shooting Quentin, I was so happy that I got to use a different medium than gelatine, I used Calodian instead and it made a world of difference (as you can see from my test in my other blog post) it made the scarring look so much better, more deep and painful. He came out just as I wanted, a patchwork of Claudia's imagination of what she wants him to look like. 

Overall I did play it safe with the looks, but I think that they both came out the way I planned and wanted. When I read the brief these are the looks I saw in my head and I'm glad it came out to what I had expected. 
















Monday, 27 April 2015

Test of Final looks Claudia & Quintin



Made the make-up nice and 1940's then messed it up with my foundation brush, ruffed up the hair and the look is complete!







This was a test shoot of my final look, ripped t-shirt, dirtied up! pair of tights on his head with drawn on eyes and brows, the scars I did with Calodian and used Supra Colour to look realistic.








Friday, 24 April 2015

Location Ideas and Insprations



My thoughts on where the characters would take place is mainly in the basement, where Claudia would take her vengeance on the poor Quentin. 

I was thinking about what other films and books also have this in; I remembered that Psycho has a horrible ending in the basement, where Norman hides his taxidermy mother!

Author: Unknown
Year of publication: Unknown
Title:  The Truth about Mother
Viewed: 24th April 2015
Available from:  https://www.behance.net/gallery/10229231/Cinematic-Narrative-Thesis-Research


Another is in Silence of the Lambs where Clarice Starling has to go through the killer Buffalo Bills maze of a basement in the dark!

Author: Mese-en-scene
Year of publication: 2006
Title:  Slience of the Lambs
Viewed: 24th April 2015
Available from:  http://jmarzofilmstudiesmisensceneactivities.blogspot.co.uk/2006/02/mise-en-scene-activities.html

With these in mind I have created a mood board for this scene and hope to convey the chilling idea that their are evil spirits in the 'Murder House' and how this location can bring chills up you spine!



Thursday, 23 April 2015

Mood Boards for Claudia and Quentin

When I started to do my mood boards I wanted to start by making a list of words that I found:

Here are my mood boards below:

Claudia, I highlighted the colours I will be using for her makeup, and costume, the picture of her makeup, mood/character I have based her personality on and hair of the 1940's mixed into the character from American Horror Story and finally the cage to represent the 'Glass Prison'


Quentin, I hve used my main inspiration as the background, with the use of colours, flesh, blood, and in the bottom corner I used the burnt skin look that I applied to the skin to represent the stitches. I then overlayed the words that I feel represent the character best like I did with Claudia.



Wednesday, 22 April 2015

How to Achieve Scars - Quentin

As I want to have my Quentin to look like a patch work quit, I am needing to look more into how to achieve a scarred look that is realistic and not theatrical like I have done before. My main inspiration has come from Frankenstein, and  other like this.

http://xesixyfe.comoj.com/i-frankenstein-characters.php

https://ttcritic.wordpress.com/2011/05/08/maryshelleysfrankenstein/

http://becuo.com/silence-of-the-lambs-skin-suit
http://becuo.com/silence-of-the-lambs-skin-suit

I have tried this with Gelatine before, and practiced this on my model to see what it would look like... and as you can see from the images below, it looked awful! So I am not going to use this for my final look as it looks so amateur! 




















I then remembered that another great medium to use is Calodian, I watched a tutorial on how to create a realistic scaring on the face and they applied a light pink on the skin first, blended it out and then applied the Calodian on top to create the look. You can see below a practice of this. I layered the Calodian on top to make it look even deeper!



Sunday, 19 April 2015

Quintin Face Charts & Hair Charts




Face Charts for Quintin, I really wanted to add some sort of patchwork into his face.

Inspiration:





I first started out by doing a simple look for him, dark sullen eyes, contour of the cheek and face, having a creamy white completion, and pale lips with stitching on them, as if Claudia has sewn him mouth shut, as she is paranoid that his is cheating on her. 


I then went on to experiment with the use of Gelatine, making the patch work across his face, and adding in black thread or wire to look like stitches, as that is the word I have chosen to represent Quintin. There will be flashes of colour on his face, as if Claudia cannot decide what his look will be and his in the middle of transforming into what she wants him to look like.



With this look I wanted to use a range of browns, to make him look more dirty; contour on the face and eyes sullen like the first face chart, with a twist, the mouth I would create a cross using Calodian, looking like a fresh scar on his mouth like Claudia has cut him when she has had one of her fits of rage!


My final face chart is a mixture of all of the other, I wanted to go for a little twist, have a cut stocking on his head, with a tuffed of hair poking out on the side, and have his facial features drawn on top like a childs drawing, and on the other side have his eye manly dark. Then continue the sticking all over the face and scribble out his mouth with a mixture of browns and black.